A Call for Advice

This is a cry for help to my PLN.

                                          Photo by Simon Howden

It is not a nice feeling, after so many years of teaching, the one you get when you have no idea of how to help a student advance. It is a feeling of complete and utter exasperation. A feeling of uselessness and hopelessness. Thoughts of incompetence run through my mind. Why don't I know what to do? Why have I run out of ideas? It is so hard not to lose patience and blame the student as well as myself for not knowing how to overcome the problem. This is why I am asking you, my network of knowledgeable friends, for help.


The Student: a one-to one student in his early forties working for a company recently taken over by a British firm. Started in February as a False Beginner, had three months off over the summer and has started lessons again in October. Two hours per week.

The Course: using an elementary level course book as a source of general vocabulary and grammar as well as skills practice.

The Problem: The student has an elementary level of vocabulary and grammar structures and can understand written texts on a wide range of topics, however his listening skills are at beginner level. He can only comprehend spoken English at sentence level (on a good day) and freezes whenever a recording is played.

The Situation: The student has face to face contact several times a year with British visitors to the factory with whom he is expected to communicate. He needs to be able to understand and respond to native speakers socially whilst showing them around the factory.

How can we improve his listening skills in a short period of time? What kind of tasks can I give the student? One of the main problems is nerves. However much I try to get him to relax and just listen, this seems impossible. We have been working on pronunciation issues such as elision and sentence stress in order to make listening easier but at the end of the day, when another teacher comes into the classroom and asks him a basic question he just freezes.

So, please if you have or know of any ideas, tasks, links, websites or even books that may help, please let me know. How can I rid my student of the sensation of being thrown into a black hole whenever he hears English?

Snozzcumbers and Never Ending Gobstoppers

I was having a bit of a tidy up last week at work, clearing off the stacks of unused photocopies to put in my scrap paper pile and sorting out my books, when I found my beloved copy of The Roald Dahl Treasury. Just the title of this book makes me love it - a treasury sounds like something very important, that you care for and would hate to lose. I know that Mr Dahl passed away years before this collection was published, but it sounds like a title he would have found acceptable, mainly because the word "treasury" appeals to children.

As a child, I never read many books by Roald Dahl, I suppose this was because these books aren't really aimed at young children anyway, and I was more into Enid Blyton. However, as an adult I can really appreciate the talent and efforts of this writer which enabled him to penetrate into the world of a child and write stories that children would want to read. The way Dahl portrays adults from the point of view of a young boy is exceptional. I would recommend that anyone who has children gets hold of some of his creations, such as Charlie and the Chocolate Factory, Matilda or The Witches.

The most fascinating talent of Dahl for me, though, is his use of language. I have a copy of Revolting Rhymes, which is a collection of well-known fairy tales such as Little Red Riding Hood and Snow White told in a rather different way to what you usually expect. The stories are written in rhyme and are therefore ideal for reading aloud. I have used these rhymes many times with my students (generally Intermediate and above) as a reading activity, listening activity, for pronunciation practice (sentence stress), as a cloze exercise, and to inspire creative writing. The rhymes are fun for students of all ages, including adults, who will often try to come up with their own unusual fairy tales. I had a student who recently suggested that they write their own revolting rhyme - actually in rhyme!

Dahl uses a lot of words he has made up himself, and this can be a useful way of getting learners to think about the meanings and usage of words, giving them practice in guessing meaning through context. It can be great fun for them to make up their own words too! With a story like Charlie and the Chocolate Factory, you can give students the names of sweets that appear and ask them to describe what they are like - what they look like, what they taste like, what is so special about them, which one they like the sound of, and so on. With The Witches, you can ask students to draw a picture of one of the witches that is described in the book, and then for them to imagine a witch of their own.

Have you used Roald Dahl stories in class, and if so, how did you use them?

Play it again, Teacher!

After so many years in Spain, I may have forgotten what it is like to be in the presence of a group of people and not understand a single word of what they are saying. Having my mum over for a few days, I have realised how unpleasant it can be for someone to be in the company of people who speak a different language. That feeling of overwhelming frustration and annoyance and even paranoia you get when everyone seems to be laughing and you have no idea of what's going on. Trying to put myself in my mum's shoes, I got a faint recollection of how I used to feel for the first few months I spent here, with a group of Spanish friends. Despite actually speaking the language quite well even in those days, whenever I found myself sitting at a table with more than two or three other people I suddenly became unable to understand what anyone was talking about. On a one to one basis I was fine, but put me in a group and they could have been speaking Mongolian for all I knew. All this got me thinking about some of my students and their inability to understand listening extracts or videos, even those that are below their productive level.

As teachers, we have usually forgotten about our own experiences of language learning, and blocked out those unpleasant memories of being in a classroom with another 30 students all trying to make out what is being said on a tiny taperecorder placed unstrategically on the teacher's desk at the front of the classroom. Maybe you were lucky and had a language laboratory with individual headphones, but it was rare to do any listening comprehension at all, at least in my French class, and when we did it was a recording of Mrs Rowlands speaking in her lovely Potteries accent.

Teaching methodologies have changed a lot over the past couple of decades and we now force plenty of natural sounding English conversations and interviews down the ears of our students, whether it is still on a cassette player, a CD or if you are "modern" like me (that's what my students say when I get the equipment out) an MP3 player with portable speakers. But however good the equipment and acoustics of the room, unless our students are well prepared for what they are going to listen to, the exercise will be useless. Put yourself in the situation my mum was in last week, sitting on a bar terrace having a drink with me and seven Spaniards, not knowing the language. Even if she did speak Spanish, what would the chances be of her understanding what we were all talking about? She doesn't know any of the people or places mentioned, and has little knowledge of what we do every weekend or what kinds of things we discuss. Now put yourself in the place of your students. They know they are going to listen to a recording, but unless they are given some clues as to what it is going to be about, they are unlikely to understand a thing and the whole activity will be pointless.

So, what can we do to make listening comprehension tasks more productive? Firstly, it is vital to provide some information about the context. How many people will speak? Who are they and what relationship do they have with each other? Where are they? What are they going to talk about? You can do this by explaining the situation, you can provide a photo of the interlocutors (which often appears in the coursebook) or you could get your students to ask you questions which they think will help them with the listening task. Secondly, make sure it is clear what students have to do. What information do they have to listen for? Are there any questions they have to answer? Where are the questions? Which exercise do they have to complete? This may all seem far too obvious, but I can guarantee that all of you have had at some point at least one student trying to complete exercise three (fill in the gaps) when they are supposed to be doing exercise two (comprehension check). They should be allowed plenty of time to read the questions before they listen so that they don't get lost because there is a word they don't understand in the questions. Take the time to explain any confusing words or questions, and if you feel it is necessary, preteach some of the vocabulary that occurs in the recording. All of this preparation should at least make your learners feel more relaxed when they listen.

One of the most important qualities a teacher needs and especially with listening exercises is patience. Listening may be something which comes naturally in your own language, but in a second language a great deal of concentration is required. Don't try to make a challenge out of listening and don't allow your learners to feel that they have failed if they have not been able to understand. You may find that certain learners or even whole classes have a listening ability below their general English level. If this is the case, you will need to adapt the materials (it is easier to adapt the questions rather than the recording) and make sure your students get plenty of practice. Build up the level little by little, start with easy tasks and gradually make them more difficult or complex. Be sympathetic and understanding, and if the pressure is off, your learners will become better listeners.